the devil came down to moscow
- The artwork shown here is not official.
- "Mikhail Bulgakov's devastating satire of Soviet life was written
during the darkest period of Stalin's regime. Combining two distinct yet interwoven
parts - one set in ancient Jerusalem, one in contemporary Moscow - the novel veers from moods of wild
theatricality with violent storms, vampire attacks, and a Satanic ball; to such somber scenes as
the meeting of Pilate and Yeshua, and the murder of Judas in
the moonlit garden of Gethsemane; to the substanceless, circus-like reality of Moscow. Its central
characters, Woland (Satan) and his retinue-including the vodka-drinking, black cat, Behemoth;
the poet, Ivan Homeless; Pontius Pilate; and a writer known only as The Master,
and his passionate companion, Margarita - exist in a world that blends fantasy and chilling realism,
an artful collage of grostesqueries, dark comedy, and timeless ethical questions."
- "Although completed in 1940, The Master and Margarita was not published in Moscow
until 1966, when the first part appeared in the magazine Moskva. It was an immediate and enduring success:
Audiences responded with great enthusiasm to its expression of artistic and spiritual freedom." - Amazon description
- Whilst working on their 2005 album, Jim and
Charlie worked on a parallel project. By working on both, they allowed themselves the luxury of
avoiding writers block on both, switching when ideas or concepts weren't working.
- As a project, its idea was more heavyweight than the usual loose themed collection of songs comprising the usual Simple
Minds album. Basing their work on Bulgakov's The Master And The Margarita, a book steeped in
history and allegory, the Minds were working on musical narrative.
- Written during the Soviet crackdown of the 1930s, the book wasn't published until the 1960s, partly due to its strong
- Simple Minds' version, entitled The Devil Came Down To Moscow, took formation during 2004. However,
with top priority given to the new album, a tour, a live DVD and a historical documentary of the group, this
collection might take a long time to see the light of day.
- The book can be purchased from Amazon.
- "It was spring ‘02; we had been on tour in North America and feeling pleased to be
back touring internationally after a hiatus of a few years. Both Charlie Burchill
and I had taken advantage of the day off in Los Angeles and in doing so decided to visit our favourite local restaurant before
having a wander into the adjoining bookstore, just as we had done so many times over the previous decade."
- "That was the day when Charlie pressed into the palm of my hands a copy of
Bulgakov’s The Master And Margarita, a book that I already knew to be a huge favourite of his,
one that he had outlined to me so repeatedly that I had the feeling of having already read the novel without having done so."
- "That may have been the case up until then, but less than an hour later as I settled onto the hotel room sofa and let my eyes
flit over the opening pages, I knew that this book that Charlie had gifted me would live with
me from that day on. And that by enlarge is exactly how things have turned out."
- "Among many other things the novel centres on a tale wherein the Devil, in the guise of a raffish music hall entertainer,
comes to Moscow on a pre determined mission, bringing as much hilarity as he does chaos to the Russian capital, most
of it is projected towards the greed and ignorance of the then newly moneyed, metropolitan elites."
- "Full of metaphors and allegory, in flitting spontaneously between time and space, it reaches out to dreamers and madmen,
presenting them as both sides of the same coin. My description of this expansive masterpiece – and it truly is – neither remotely fits
nor is a worthy attempt, but should it poke your curiosity enough to make you want to investigate for yourself then I would have been
doing you a massive favour. Least I believe so!"
- "Musicals are a thing that I neither like nor know much about, apart from the fact that they have spurned some wonderful
songs especially from Porter, Berlin, Gershwin, and obviously Rogers and Hammerstein.
However if there is one book that has created a notion in my head that it is crying out to be given a musical treatment it is without
doubt The Master And Margarita - I know that I am not the only one who has thought about this. But on the other hand with
the book already being the most perfect thing of beauty etc, maybe better to leave well alone and all intact. After all who in hell needs
another musical? (Apart from the billions who lap up the genre perhaps!)"
- "Naming a singularly favourite anything is always a banal task, whether it is a song, film, city, piece of art, you name
it! And especially so as on any good day it genuinely does seem that the world we live in is layered with things that are able to
astound. Such was the case for me when I entered the world of “The Master.”" - Jim