"WHENEVER I HEAR A NEW SONG IT'S USUALLY NOT WHAT THE SONG IS SUPPOSED TO BE ABOUT THAT IS OF IMMEDIATE INTEREST TO ME; no - by
far it's whatever emotion conveyed that seems to be of more consequence. This, then, is the thing that grabs me - this is the
thing that strikes a chord - and when this happens, any other meaning is surplus to demand - in other words, I don't need it."
"Presently two pieces of music I choose for continual listening are Tangled Up In Blue by Bob Dylan and
Night by Fateh Ali Khan. Now the fact that I find the lyrics of hte former both stunning and puzzling
is proof that I need no more meaningful explanation, even if I'm not sure what this classic is actually about, even if I find it all
bamboozling - the melodic effect is enough to create this overwhelming sensation that leaves me falling in love with this song, time AND
TIME AGAIN. It's just genius at work, simple as that. Moving onto the latter, the fact that this songbird sings in a language both
ancient and wholly alien to me, only serves to enhance the living spirit of such incredibly powerful music, a music wholly capable of
joyfully reducing me to tears - a music of real wonder."
"The point being that with music - you either get it! Or you don't! And in my opinion, if you need to ask for an explanation as to what
a song is about - well I'm afraid the signs are not so good. The secret is to listen carefully and both your imagination and emotions
will tell you what's going on. They're never wrong. For those who could do with some help, here are some of our
impressions behind the music of the latest new album. [Click on each song title for those]."
"Firstly, I'm not so sure that there is an overall lyrical theme to this set of recordings. Sometimes during the creation of
an album a concept that seems to focus all the songs under one theme turns up and presents itself; almost as some natural conclusion. Often
this concluding theme goes on to be the eventual album title as in both
New Gold Dream (81,82,83,84) and
Street Fighting Years although at no time did we sit down
and try to come up with concepts and albums titled thus; in these cases it's just something that we arrived at. On other records there is
no binding theme lyrically, the songs are connected only in some sonic sense and I feel pretty confident that this is the case
with the current situation. I could be wrong though, maybe there is some theme that I'm too close to recognise. I wouldn't be surprised
were that the case."
"Therefore if this is to be an album without any obvious overall theme, as in other albums like
Once Upon A Time,
Sparkle In The Rain,
Real Life etc, let's try to discover some "impressions" from the songs individually, and
who knows we may even find some theme after all. For anyone interested, this is the first time I will have tried to articulate the songs to
any extent since their creation, the reason being that we feel you can "talk away a song" at a too early stage and it's so much more
interesting to work away at the ideas, following them through and letting the art determine whatever falls rightfully into place. The best
ideas both lyrically and muscially seem to happen at random, the skill is how to then elaborate these ideas; but even more crucially perhaps
is possessing the ability to be able to spot them when they initially occur."
"At the risk of making the whole process sound overtly mystical it still has to be said for me at least that the level of
concentration involved does indeed border on some kind of meditation; and it's at this point - when you feel so
engaged with the music that "it" seems to be "speaking" to you - almost telling you where to go with the musical flow. Poor
as it teherefore is, this is only a skeletal description of the "improvisation" involved in the early states of our writing -
I am always abel to tell how things "strike" me but please don't be so mundane as to ask what it's all about because it's then
that I become truly lost for words" - Jim, e-mail, 11th March 1998