Unfortunately no sleeves or content listings were available (if they exist). Therefore some of the following is guesswork on
our part.
SH7 | Sons And Fascination Demos, Jams And Fragments |
??? | Unknown Date / Unknown Location |
| | 20th Century Promised Land [Guitar Riff #1] 20th century promised land (riff 1) | (0:57) | 3/10 | Charlie repeats the main verse riff of 20th Century Promised Land. (Mick plays the riff on the final recording.) Lots of hiss and some tape flutter. |
| | 20th Century Promised Land [Guitar Riff #1] - "Untitled Slow Riff" [Guitar Riff] - "Untitled Fast Riff" [Guitar Riff] 20th century promised land (riff 2) | (0:44) (2:40) (0:40) | 3/10 | Charlie continues his lone work on the main verse riff of 20th Century Promised Land on a recording which lasts 44 seconds. It then cuts to a different lone slow guitar riff followed by a faster guitar riff; neither ended up on the album. Both these latter riffs use echo extensively. The recording suffers from lots of hiss and some tape flutter. |
| | Sound In 70 Cities [Bass Riff #1] 70 cities - bit 1 | (0:21) | 3/10 | A looped synth drone is followed by some bass experimentation by Derek and synth electro-doodlings. Hardly recognisable as any song. (It sounds like studio effects experimentation.) |
| | Sound In 70 Cities [Bass Riff #1] 70 cities - bit 2 | (0:23) | 3/10 | An overlap and continuation of the experimentation above. |
| | Sound In 70 Cities [Inst Demo] 70 cities - demo (instrumental) | (1:42) | 3/10 | A rough version of the song with Mick, Derek and Brian. Although only part of the song is recorded, it's basically the same arrangement as the final album version. |
| | Bass Riff #1 Bass Riff 1 | (0:15) | 3/10 | A lone, repeated bass riff by Derek. |
| | Bass Riff #1 Bass Riff 1 | (0:48) | 3/10 | Continuation of the above. |
| | Drum And Bass Riff #1 Drum & Bass 1 | (0:14) | 3/10 | A drum and bass riff by Derek and Brian. Different song to the above. |
| | Drum And Bass Riff #1 Drum & Bass 2 | (0:25) | 3/10 | The same track as above with Charlie now added to the mix. The style of Charlie's playing is a little like The American. |
| | Drum And Bass Riff #1 Drum & Bass 3 | (0:09) | 3/10 | A short fragment of the above. |
| | Drum And Bass Riff #1 Drum & Bass 4 | (0:22) | 3/10 | A short fragment of the above with a short lone keyboard introduction by Mick. |
| | Drum Loop #1 Drum Loop 1 | (0:10) | 2/10 | Lone drum loop by Brian. |
| | Drum Loop #2 Drum Loop 2 | (0:21) | 2/10 | Drum loop by Brian with Mick playing keyboards. |
| | Sax Studio Jam #1 Idea 1 (Sax) | (3:13) | 4/10 | Charlie jamming on sax over a keyboard melody by Mick. |
| | Studio Jam #1 Idea 2 | (1:19) | 4/10 | Charlie jamming with Mick. |
| | Studio Jam #2 Idea 3 | (0:19) | 4/10 | Derek jamming with Brian and Charlie. |
| | Studio Jam #3 Idea 4 | (0:17) | 4/10 | Derek jamming with Brian and Charlie. Different melody to the previous recording. |
| | Love Song [Loop] Love Song - Loop | (0:12) | 4/10 | Opening keyboards of Love Song. |
| | Seeing Out The Angel [Demo] Seeing Out The Angel - Demo (Instrumental) | (0:51) | 3/10 | Main melody of Seeing Out The Angel by Mick alone which is slightly different to the final recorded version. Recording is very quiet and fuzzy. |
| | Synth Bit #1 Synth Bit 1 | (0:27) | 4/10 | Lone synth experiments by Mick. |
| | Synth Bit #1 Synth Bit 2 | (1:21) | 4/10 | Continuation of the above. Charlie joins in and takes over with random chords. |
| | Synth Bit #2 Synth Bit 3 | (1:05) | 4/10 | Lone melodic experiments by Mick. |
| | Synth Bit #3 Synth Bit 4 | (1:13) | 4/10 | A slightly folk inspired tune by Charlie and Mick. Far more structured than the other experiments. |
| | Synth Bit #4 Synth Bit 5 | (0:40) | 4/10 | A fast experimental riff by Mick. |
| | Synth Bit #4 Synth Bit 6 | (1:11) | 4/10 | Continuation of the above. Charlie can now be heard in the background. This idea stops at 0:35 with Mick working on a slower idea. |
| | Synth Bit #5 Synth Bit 7 | (0:27) | 4/10 | Another riff idea from Mick. Fairly fast. Other can be heard talking in the background. Lots of tape hiss. |
| | Synth Bit #5 Synth Bit 8 | (0:44) | 4/10 | Continuation of the above. |
| | Theme For Great Cities [Jam] Theme For Great Cities - Demo (Take 1) | (0:43) | 4/10 | Hesitant stop-start work on the beginnings of Themes For Great Cities. |
| | Theme For Great Cities [Album Version] Theme For Great Cities - Demo (Take 2) | (0:12) | 3/10 | An extremely bad recording of what sounds like the final album version. The tape jumps once or twice making the song jump from peak to peak. |
| | Studio Jam #1 Untitled Jam 1 (Take 1) | (6:17) | 3/10 | Charlie and Mick work on a riff. The keyboards at times have a similar rhythm to Seeing Out The Angel but it's not the same melody. This is a longer recording of the version above, but the quality is slightly worse. |
| | Untitled Jam #1 Untitled Jam 2 (Take 1) | (0:33) | 2/10 | Mick, Derek and Brian work on an idea. Very muffled, poor recording. |
| | Untitled Jam #1 Untitled Jam 2 (Take 2) | (0:14) | 2/10 | Continuation of the above. |
| | Untitled Jam #2 Untitled Jam 3 | (0:46) | 3/10 | Work on a melody by all four musicians. There's a repeated extended synth note near the end which could be the genesis of Seventy Cities As Love Brings The Fall |
| | Studio Jam #1 Untitled Jam 1 (Take 2) | (1:13) | 3/10 | Further improvisional work on this riff. |
| blah, blah, blah.
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SH8 | Sparkle In The Rain Demos |
??? | Unknown Date / Unknown Location |
| | A Brass Band In African Chimes [Melody Demo #1] a brass band in african chimes demo 1 | (4:31) | 9/10 | Mick and Charlie play the main riff of the song repeatedly backed by a drum machine. |
| | A Brass Band In African Chimes [Coda Demo #1] a brass band in african chimes demo 2 | (4:57) | 7/10 | Mick and Derek concentrate on the end melody of Brass Band with some bass solos. Different drum machine pattern to the previous recording. It sounds like this was intended as a separate song before being fused onto the end of Brass Band In Africa. |
| | A Brass Band In African Chimes [Coda Demo #1 - Melody Demo #1] a brass band in african chimes demo 3 | (2:10) | 9/10 | Charlie now works on the coda with Mick. Includes lone guitar solo with the keyboards fading out. The keyboards return to the main Brass Band In Africa riff. Finishes abruptly. |
| | A Brass Band In African Chimes [Live Take #1] a brass band in african chimeslive take 1 | (2:19) | 5/10 | The whole band work on the track. Starts with studio chatter between Charlie and Mick. The melody and arrangement of the start of the song is already in place. Breaks off with Charlie: "There are some interesting bits in that." |
| | A Brass Band In African Chimes [Live Take #2] a brass band in african chimes live take 2 | (3:06) | 5/10 | After some brief words from Charlie, the band try a second take. There's a brief break in the recording before the track stops. |
| | A Brass Band In African Chimes [Live Take #3] a brass band in african chimes live take 3 | (3:08) | 5/10 | A straight run through the track after Mel's count. The band can be heard shouting cues to each other over the song. There's some slight improvisation at the end. |
| | A Brass Band In African Chimes [Live Take #4] a brass band in african chimes live take 4 | (4:30) | 5/10 | A straight run through the track after Mel's count. Much looser arrangement with improvision from Charlie and Mick. Main track ends with Mick improvising a final coda. The recording then cuts (at around 3:50) to a previous live take of the song which ends with a discussion by Charlie and Mel. |
| | A Brass Band In African Chimes [Live Take #5] a brass band in african chimeslive take 5 | (4:53) | 5/10 | A straight run through the track after Mel's count. The track pauses near the end when Mel queries something, and then they run through it again. They almost crack the ending and the track stops with a discussion about chords. |
| | A Brass Band In African Chimes [Live Take #6] a brass band in african chimes live take 6 | (1:50) | 5/10 | A straight run through the track. Some improvision. Fades out. |
| | A Brass Band In African Chimes [Live Take #7] a brass band in african chimes live take 7 | (4:22) | 5/10 | A straight run through the track. Lots of improvision from Mick as they continue to work on the ending. |
| | A Brass Band In African Chimes [Live Take #8] a brass band in african chimes live take 8 | (2:43) | 5/10 | A straight run through the track after Mel's count. Fades out. |
| | A Brass Band In African Chimes [Live Take #9] a brass band in african chimes live take 9 | (3:30) | 5/10 | A straight run through the track after Mel's count. They almost nail the ending before Mick gives up and starts jamming something else. Mel can be heard suggesting they try it again. |
| | A Brass Band In African Chimes [Live Take #10] a brass band in african chimes live take 10 | (4:41) | 5/10 | Another run through. Ends with a short guitar phrase by Charlie. |
| | A Brass Band In African Chimes [Live Take #10] a brass band in african chimes live take 11 | (4:41) | 4/10 | Slightly rougher recording of the above. |
| | All The Things She Said [Demo] brass band and all the things she said demo instrumental | (5:00) | 10/10 | [Old Chapel Final Demo] The choruses are clearly All The Things She Said with different verse melodies. Has a fade at the end instead of the abrupt stop on the demo tape. |
| | Book Of Brilliant Things [Bass Jam] book bit 1 | (0:42) | 3/10 | [Old Chapel Rough] Derek produces the alternative Book verse melody whilst Mick adds eerie overtones. "Fucking great" as Jim comments. |
| | Book Of Brilliant Things [Drums] Drums | (4:21) | 7/10 | [Old Chapel Rough] Mel's drums only. Derek's bassline can just be heard. |
| | Book Of Brilliant Things [Keyboards #1] Pads #1 | (1:13) | 7/10 | [???] Mick's keyboards only for the Once Upon A Time live version of the song. |
| | Book Of Brilliant Things [Keyboards #2] Pads #2 | (1:48) | 7/10 | [???] Mick's keyboards only for the Once Upon A Time live version of the song. Longer version of the above. |
| | Book Of Brilliant Things [Album Version] book of brilliant things - alt mix | (4:15) | 9/10 | [Townhouse] Final album version. |
| | Book Of Brilliant Things [Instrumental Take #1] book of brilliant things instrumental take 1 | (2:29) | 8/10 | [Townhouse Rough] An early, incomplete version of the album mix. Some lyrics. Choruses and intros intact. Verses just feature drum and bass. Fades out during the second verse. Probably a recording taking halfway through the Townhouse recordings. |
| | Book Of Brilliant Things [Instrumental Take #2] book of brilliant things instrumental take 2 | (1:47) | 3/10 | [Rockfield Rough] Extremely rough recording of an improvised version of the above. Lots of studio talk and direction. Backed by a drum machine. |
| | Book Of Brilliant Things [Instrumental Take #3] book of brilliant things instrumental take 3 | (4:20) | 7/10 | [Townhouse Rough] Very similar to the album version, except the keyboards are higher in the mix with some slight improv. No vocals. Recording slightly flat. Probably a recording taking halfway through the Townhouse recordings. |
| | Book Of Brilliant Things [Demo] book of brilliant things demo | (5:11) | 9/10 | [Old Chapel Final Demo Edit] Whilst the chorus identifies the song, the verse arrangement and its melody are completely different (vaguely like See The Lights). Fades out at the end. |
| | Book Of Brilliant Things [Jam #1] brilliant jam!1 | (8:06) | 7/10 | [Old Chapel Rough] Jam based around the alternative melody for Book Of Brilliant Things. Parts sound similar to the verse melody of Once Upon A Time. |
| | Book Of Brilliant Things [Jam #2] brilliant jam!2 | (38:18) | 6/10 | [Old Chapel Rough] Jam based around the alternative melody for Book Of Brilliant Things. From the same session as above, but the recording is rougher. The final verse melody appears at around 26:00 where the band really open up and the best improvisation starts. |
| | Book Of Brilliant Things [Jam #3] brilliant jam!3 | (4:37) | 6/10 | [Old Chapel Rough] Jam based around the alternative melody for Book Of Brilliant Things. From the same session as above. They really nail the final verse melody here. |
| | Book Of Brilliant Things [Jam #4] brilliant jam!4 | (9:08) | 7/10 | [Old Chapel Rough] Jam based around the alternative melody for Book Of Brilliant Things. From the same session as above. Some tape problems. |
| | Book Of Brilliant Things [Jam #5] brilliant jam!5 | (8:19) | 7/10 | [Old Chapel Rough] Jam based around the alternative melody for Book Of Brilliant Things. From the same session as above. |
| | Book Of Brilliant Things [Jam #6] brilliant jam!6 | (7:05) | 7/10 | [Old Chapel Rough] Jam based around the alternative melody for Book Of Brilliant Things. From the same session as above. |
| | Clockwork [Demo #1 Drums & Guitars] clockwork demo (drums and guitar) | (6:01) | 7/10 | [Old Chapel Rough] A much longer recording of the first demo featuring just the drum machine and Charlie's guitar. Reference keyboards can just be heard in the background. Some guitar improv at the end. |
| | Clockwork [Demo #1] clockwork - demo 1 | (2:39) | 9/10 | [Old Chapel Rough] Mick and Charlie and a drum machine. This short recording fades in and out; the 6:01 recording (see above) suggests this could be from a longer version. |
| | Clockwork [Demo #2] clockwork - demo 2 | (3:35) | 7/10 | [Old Chapel Rough] Later version of the song. Again, Mick and Charlie and a drum machine. The song is now overflowing with ideas and riffs. Slower than the first demo. |
| | C Moon Cry Like A Baby [Jam] c-moon - demo | (5:36) | 6/10 | Studio jam between Charlie, Mick and Derek. The song is barely formed but the main riff can just be heard several times. The recording is badly distorted. |
| | C Moon Cry Like A Baby [Live Take #1] c-moon (live take 1) | (3:45) | 7/10 | The whole band work on the track. The melodies and arrangement are similar to the albums with an extended middle-8. Stops abruptly. |
| | C Moon Cry Like A Baby [Live Take #2] c-moon (live take 2) | (4:19) | 7/10 | The whole band work on the track. The melodies and arrangement are similar to the albums with an extended middle-8. Comes to a faltering halt. |
| | C Moon Cry Like A Baby [Live Take #2] c-moon (live take 3) | (4:18) | 5/10 | Poorer recording of the second take. |
| | C Moon Cry Like A Baby [Live Take #1] c-moon (live take 4) | (3:45) | 5/10 | Poorer recording of the first take. |
| | East At Easter [Demo #1] east at easter 1 (early demo) | (5:38) | 4/10 | Grainy, muffled and flat recording of the original song which featured the East At Easter coda. Slow tempo version. |
| | East At Easter [Demo #2] east at easter 2 (early demo) | (4:57) | 4/10 | Distored recording of the original song which featured the East At Easter coda. Slow tempo version. |
| | East At Easter [Demo #3] east at easter - demo 1 | (4:24) | 8/10 | Good recording of the original song (with some tape chew) which featured the East At Easter coda. Fast temo version. Fast fade at the end. |
| | East At Easter [Demo #4] east at easter - demo 2 | (4:48) | 4/10 | Rough recording of the original song which featured the East At Easter coda. Fast tempo version. Reaches a slow end. |
| | East At Easter [Demo #5] east at easter - live take | (4:44) | 5/10 | Rough recording of the original song which featured the East At Easter coda. Fast tempo version. Reaches a quick conclusion. |
| | I Wish You Were Here [Demo #1] i wish you were here 1 (demo) | (3:27) | 5/10 | [Old Chapel Rough] Fades in half-way through. Almost the final Sparkle demo. Some slight keyboard problems in this take. |
| | I Wish You Were Here [Demo #2] i wish you were here 2 (demo) | (4:26) | 7/10 | [Old Chapel Final Demo] Better and more complete recording of the above. Very unlike the Sparkle demos. More like a Once Upon A Time version. Gradually stops at the end. |
| | Shake Off The Ghosts [Loop] shake off the ghosts - loop | (5:56) | 9/10 | Loop of Shake Of The Ghosts? Could be a loop of the final seconds of Up On The Catwalk before the "best friends" lyric. Fades at the end. |
| | Mick Idea #1 arpeggio idea | (5:40) | 7/10 | Lone instrumental idea by Mick. Fades at the end. |
| | Drum And Bass #1 drum & bass idea | (6:31) | 6/10 | Slightly fuffled and flat drum and bass backing track. |
| | Drum And Bass #2 drum & bass idea 2 | (4:00) | 8/10 | Good recording of a drum and bass backing track. Different to the above. |
| | Mick Idea #2 keys idea | (1:41) | 6/10 | Lone instrumental idea by Mick. Still a basic jam. Recording features an annoying crackle. |
| | Mick Idea #2 keys idea 2 | (1:23) | 6/10 | Continuation of the above. Mick experiments with different keys. Recording features an annoying crackle. |
| | Mick Idea #2 keys idea 3 | (0:40) | 6/10 | Continuation of the above. Mick experiments with different keys. Recording features an annoying crackle. |
| | Mick Idea #3 keys idea 4 | (4:13) | 8/10 | More of a fully formed idea by Mick. A slightly sad melody but very representative of Once Upon A Time era work. Slight crackle. |
| | Mick Idea #3 keys idea 5 | (2:09) | 7/10 | Continuation of the above. Slight crackle and distortion. |
| | Mick Idea #4 keys idea 6 | (3:25) | 7/10 | A very fast melody. Includes Mick, Charlie and a drum machine. |
| | Song #4 [Jam #1 Edit] keys idea 7 | (5:50) | 4/10 | [Old Chapel Rough] Poor and shorter recording of this instrumental jam by Mick. |
| | Mick Idea #5 premonition jam | (6:04) | 8/10 | [???] Rough instrumental jam by Charlie, Mick and Derek with a drum machine. Despite the name, not like Premonition. |
| | Untitled #1 [Jam #1] untitled #1 | (6:54) | 7/10 | [???] Great driving riff by Charlie and Mick. Really just a main riff with a coda key change. Comes to a hesitant halt. |
| | Untitled #2 untitled #2 (take 1) | (1:18) | 5/10 | [???] More downbeat riff by Charlie and Mick. Really just a main riff with a coda key change. Same session as Untitled #1. Fades to sudden end. |
| | Untitled #1 [Jam #2] untitled #2 (take 2) | (0:41) | 5/10 | [???] A short segment of both above riffs put together. Charlie and Mick. Same session as Untitled #1. Fades to sudden end. |
| | Untitled #3 [Jam #1] untitled #3 | (1:19) | 4/10 | [???] Rough jam segment by Charlie, Mick and Derek. Some studio talk over the track. Comes to a sudden end.. |
| | Untitled #1 [Jam #3] untitled #4 | (1:56) | 4/10 | [???] The driving riff by Charlie and Mick but in a different key with far more improvision. Comes to a hesitant halt. "It's quite good isn't it?" "Aye!" |
| | Untitled #4 untitled #5 | (0:36) | 3/10 | [???] Short distorted fragment by Charlie and Mick. |
| | Song #4 [Jam #1] untitled #6 (take 1) | (13:10) | 7/10 | [Old Chapel Rough] A slower melody based around a pre-set drum pattern of the machine they were using at the time. Appears to be just a jam by Mick. Lots of improv. Early version of the chorus riff used for Song #4. |
| | Song #4 [Jam #2] untitled #6 (take 2) | (4:17) | 8/10 | [Old Chapel Rough] A continuation of the jam by Mick. Lots of improv. Slightly different drum pattern. Early version of the chorus riff used for Song #4. Seems to be a complete take of the song. |
| | Untitled #3 [Jam #2] untitled #7 | (1:59) | 9/10 | [???] Great jam of a fragmet by Charlie and Mick with a drum machine. Much, much better recording. |
| | Song #2 [Demo] untitled #8 | (4:16) | 8/10 | [Old Chapel Final Demo] OK recording. |
| | Song #4 [Jam #3] untitled instrumental 1 (take 1) | (11:07) | 8/10 | [Old Chapel Rough] The continuation of the jam by Mick of the chorus for Song #4. The song is gradually developing with lots of improv and key changes at the end. |
| | Song #4 [Jam #4] untitled instrumental 1 (take 2) | (10:31) | 8/10 | [Old Chapel Rough] A continuation of Jam #3 by Mick. Much more experimental as the song moves away from its roots. Different drum patterns are introduced. Interesting synth experiments at the end. Complete track. |
| | Untitled #5 [Jam #1] untitled instrumental #2 | (2:15) | 4/10 | [???] Rough demo by Charlie and Mick. Fades out at the end. |
| | Untitled #6 [Jam #1] untitled instrumental #3 | (3:32) | 6/10 | [???] Lone slow sad melody by Mick with a drum machine. Has a slight Once Upon A Time feel to the keyboard sound and chords. Recording picks up mid-way through. |
| | Untitled #7 [Jam #1] untitled instrumental #4 | (0:36) | 3/10 | [???] Poorly recorded fragment of an uptempo melody by Mick with a drum machine. Fades out at the end. |
| | Untitled #7 [Jam #2] untitled instrumental #5 | (0:23) | 3/10 | [???] Another fragment of the above by Mick with a drum machine. Fades out at the end. |
| | Song #2 [Demo] untitled instrumental #6 | (0:56) | 7/10 | [Old Chapel Roughs] Short segment of Song #2. Abrupt end. Slightly different take and mix to the final demo. |
| | Speed Your Love To Me [Early Demo #1] speed your love to me - demo (arpeggio & drums) 1 | (1:16) | 4/10 | [Rockfield] Charlie and Mick working on the verse structure of the song with a drum machine. Poor recording. Fades at end. Still has the demo keyboard version of the verse. |
| | Speed Your Love To Me [Early Demo #2] speed your love to me - demo (arpeggio & drums) 2 | (4:00) | 6/10 | [Rockfield] Better recording of the above but only the keyboards and drum machine. Possibly only one track from a four-track recording. Song structure complete with verses and choruses. OK recording. Complete song. Now has a new keyboard melody for the verse. |
| | Speed Your Love To Me [Early Demo #2] speed your love to me - demo (arpeggio & drums) 3 | (0:57) | 5/10 | [Rockfield] Another evolution of the above, in a different key. Possibly only one track from a four-track recording. Rapid fade at the end. |
| | Speed Your Love To Me [Early Demo #3] speed your love to me - demo (guitar and keys) | (3:54) | 5/10 | [Rockfield] Charlie and Mick working on the song alone. Possibly only one track from a four-track recording. Drums far in the background (used for timing - not part of the recording.) Original demo keyboard version of the verses. |
| | Speed Your Love To Me [Early Demo #3] speed your love to me - demo (guitar and keys) 2 | (2:15) | 6/10 | [Rockfield] Charlie and Mick working on the song alone. Possibly only one track from a four-track recording. Drum machine can now be heard. Complete song and fades at end. Original demo keyboard version of the verses. |
| | Speed Your Love To Me [Early Demo #3] speed your love to me - demo (guitar and keys) 3 | (0:58) | 6/10 | [Rockfield] Fragment of the above. Comes to a hesitant halt. |
| | Speed Your Love To Me [Early Demo #2] speed your love to me - early scat vocal | (2:00) | 6/10 | [Rockfield] Jim now sings a scat vocal over Mick's keyboard-and-drum demo. Comes to a sudden ending. |
| | Speed Your Love To Me [Early Demo #3] speed your love to me - scat vocal 2 | (4:02) | 7/10 | [Rockfield] Jim now sings a scat vocal over Mick's and Charlie's key and guitar demo. The music is played in the background with Jim singing over the record. Very clear lyrics - some different from the final take. Lots of echo on the vocals. |
| | Speed Your Love To Me [Early Demo #2] speed your love to me - scat vocal 3 | (4:07) | 8/10 | [Rockfield] Jim now sings a scat vocal over Mick's keyboard-and-drum demo. There's extra drumming and bass which suggests Mel and Derek are there too. No guitars. Very clear lyrics - some different from the final take. Keyboards are sometimes mixed high during the recording. Suddenly cuts out to another recording by Charlie and Mick. |
| | Speed Your Love To Me [Early Demo #4] speed your love to me - (demo) | (3:27) | 4/10 | [Rockfield] Muffled poor recording of the whole band working on the instrumental arrangement. Comes to an abrupt end. Arrangement still not finalised. |
| | Speed Your Love To Me [Early Demo #3] speed your love to me - (demo) 2 | (3:04) | 5/10 | [Rockfield] Charlie and Mick working on the song alone. Possibly only one track from a four-track recording. Original demo keyboard version of the verses. Suddenly fades out mid verse. |
| | Speed Your Love To Me [Early Demo #3] speed your love to me - (demo) 3 | (3:59) | 6/10 | [Rockfield] Charlie and Mick working on the song alone. Possibly only one track from a four-track recording. Original demo keyboard version of the verses. Complete recording of the above. |
| | Speed Your Love To Me [Early Demo #3] speed your love to me - (demo) 4 | (4:01) | 8/10 | [Rockfield] Better recording of the above. Some tape chew near the end. |
| | Speed Your Love To Me [Instrumental] speed your love to me - (instumental) | (4:08) | 6/10 | [Townhouse] Instrumental version of the song. Almost the final album take with some differences - mostly at the end. Muffled recording. No main or backing vocals. |
| | Speed Your Love To Me [Early Demo #4] speed your love to me - (Live Take 1) | (3:27) | 6/10 | [Rockfield] Better recording of the (3:27) recording above. |
| | Street Hassle [Demo] street hassle - demo | (5:24) | 5/10 | [Rockfield] Early version of the song. Mainly keyboards and drums which are very high in the mix. Charlie can be heard in the background adding ideas. Vocals and bass very low in the mix. Muffled but complete recording. |
| | The Kick Inside Of Me [Demo #1] the kick inside of me (demo - take 1) | (4:42) | 8/10 | [Rockfield] Just the bass and drums suggesting it's one track of a four-track demo. Whole song. Good quality. Some guitar can just be heard later in the track. |
| | The Kick Inside Of Me [Demo #1] the kick inside of me (demo - take 2) | (4:42) | 9/10 | [Rockfield] As above but including bass, drums, guitar and keys. Possibly the entire four track demo. Whole song. Good quality. |
| | The Kick Inside Of Me [Demo #2] the kick inside of me (demo) | (1:09) | 5/10 | [Rockfield] Rough recording of the song. More like the album version. Keyboards have a strange shimmering effect. Sudden fade - only part of the song. Includes studio chatter at the start. |
| | The Kick Inside Of Me [Demo #3] the kick inside of me (drums) | (4:10) | 8/10 | [Rockfield] Just the drum track. Very basic rhythm and pattern. Not used in the previous demos of this track. Probably one track of a multi-track recording. Fades at the end. |
| | The Kick Inside Of Me [Demo #2] the kick inside of me (live take 1) | (1:09) | 5/10 | [Rockfield] Same recording as 1:09 above. |
| | Up On The Catwalk [Demo #1] up on the catwalk - demo | (5:15) | 8/10 | [Rockfield] Complete, instrumental, four track demo of the entire song. Comes to a hesitant end. |
| | Waterfront [Demo #1] waterfront - bass | (0:43) | 5/10 | [Nomis / Rockfield] Bass only demo of the start of the song. One note only. Fades out. |
| | Waterfront [Demo #1] waterfront - bass & drums | (1:31) | 6/10 | [Nomis / Rockfield] Bass, drum machine and keyboard demo of the start of the song. One note only. Fades out. |
| | Waterfront [Demo #1] waterfront - demo 1 | (3:06) | 4/10 | [Nomis / Rockfield] Whole band instrumental demo recorded over the basic demo above. Resembles a jam more than the final track. Fades in at the start and fades out at the end. |
| | Waterfront [Demo #2] waterfront - demo 2 | (4:20) | 5/10 | [Rockfield] Whole band instrumental demo. Instrumental close to the final track. Rough, hollow recording. Some distortion. Whole song. |
| | Waterfront [Demo #2] waterfront - demo 4 | (4:19) | 7/10 | [Rockfield] A much better recording of the above. |
| | Waterfront [Demo #3] waterfront early scat vocal | (1:24) | 5/10 | [Nomis / Rockfield] A vocal and instrumental jam over Derek's bass line demo (Demo #1). Very hesitant. Only a portion of the song. Charlie sounds like classic Velvet Underground. Could be Nomis as just vocals, guitar and keyboards over drum and bass demo. |
| | White Hot Day [Demo #1] white hot day 1 | (0:30) | 7/10 | [???] Keyboard and drum machine only demo. Fragment only. |
| | White Hot Day [Demo #2] waterfront - demo 3 | (4:56) | 7/10 | [???] Keyboard and drum machine only demo. Could be a single track from a four-track demo. Complete song, no fade. A progression from the first demo. |
| | White Hot Day [Demo #1] white hot day 2 | (4:34) | 7/10 | [???] Keyboard and drum machine only demo. Complete song. Slightly hesistant - Mick still working on the melody. |
| | White Hot Day [Demo #1] white hot day (rough demo 1) | (1:55) | 6/10 | [???] Fragment of the above. |
| | White Hot Day [Demo #3] white hot day (rough demo 2) | (1:55) | 7/10 | [Old Chapel / Barwell Court] A jam by Charlie, Mick and Derek with a drum machine backing. It is a very, very roughly recognisable as White Hot Day. Could be an Old Chapel Jam but could also be a Barwell Court jam based on the recorded track. Doesn't really go anywhere and fades at the end. |
| | White Hot Day [Demo #3] white hot day (rough demo 3) | (8:36) | 7/10 | [Old Chapel / Barwell Court] Continuation or part of the above which includes the White Hot Day riff. Then cuts to a recording of Demo #2 which fades at the end. |
| | White Hot Day [Demo #3] white hot day (rough demo 3) | (8:36) | 7/10 | [Old Chapel / Barwell Court] Continuation or part of the above which includes the White Hot Day riff. Then cuts to a recording of Demo #2 which fades at the end. |
| | White Hot Day [Demo #1] white hot day (rough demo 4) | (8:36) | 5/10 | [???] Rough recording of Demo #1. |
SH 6 | Once Upon a Time |
| Barwell Court October 1985 |
| | The American [Jam #1] the american (coda) | (4:13) | 8/10 | Studio jam based on Derek's new bass driven coda for the The American. Comes to a hesitant end with studio chatter. |
| | Come A Long Way [Jam #1] come a long way (early scat vocal) | (3:02) | 8/10 | This is a complete mess. Jim has headphones on scatting to Come A Long Way. Mick is working on his Fast Appegio melody/idea. Mel is doing something different. "Mel - there's a drum machine in there." Fades to end. |
| | Once Upon A Time [Jam #1] instrumental idea #2 | (5:52) | 8/10 | Charlie and Mick working on a very vague idea to a drum machine. At times the precursors of Once Upon A Time can be heard. |
| | Fast Appegio [Jam #1] jam 1 | (3:50) | 8/10 | Mick's appegio idea with Charlie and Mick improvising over the top. At 1:30, it is just Charlie. Mick comes in and out through the track. Doesn't go anywhere and isn't identifiable as anything. |
| | Fast Appegio [Jam #2] jam 2 | (3:59) | 7/10 | As above but now with Derek and Mel. Great bass idea from Derek. Fades at the end. |
| | Fast Appegio [Jam #3] jam 3 | (1:18) | 7/10 | As above. More structured with count-in. But still just and idea and repeated riff. Fades at end. |
| | Once Upon A Time [Jam #2] jam 4 | (1:21) | 8/10 | Everyone does their own thing as Mick works on the synth riff of Once Upon A Time |
| | Oh Jungleland [Demo #1] jungleland - early demo (instrumental) | (5:23) | 8/10 | Whole band jam the track. Rough version close to the final arrangement. |
| | Oh Jungleland [Jam #1] jungleland - early demo take 1 | (2:51) | 5/10 | Early version with Charlie and Mick working on the melody with a drum machine. Not quite there yet. Tape quality poor and a litte muffled. |
| | Oh Jungleland [Jam #2] jungleland - early demo take 2 | (1:45) | 5/10 | Early version with Charlie and Mick working on the melody with a drum machine. Longer intro with bass riff. Not quite there yet. Tape quality poor and a litte muffled. |
| | Oh Jungleland [Jam #3] jungleland - early demo take 3 | (0:53) | 5/10 | Another take with more drumming. A separate out-of-tune keyboard track appears overlaid on top. Quality poor and a litte muffled. |
| | Oh Jungleland [Jam #4] jungleland - early demo take 4 | (1:05) | 6/10 | Completely different melody. |
| | Oh Jungleland [Jam #5] jungleland - early demo take 5 | (2:53) | 6/10 | Back to another variation on the Jungleland melody. Completely different keyboard melody for the choruses. |
| | Oh Jungleland [Jam #6] jungleland - early demo take 6 | (0:28) | 6/10 | Continuation of the above. Fades in and comes to a halt. |
| | Oh Jungleland [Jam #7] jungleland - early demo take 7 | (1:46) | 6/10 | Continuation of the above. |
| | Piano Idea piano idea | (3:40) | 6/10 | Lone improvision by Mick. Not recognisable as anything except the Once Upon A Time riff at the very end. |
| | Song #2 [Instrumental Demo #1] a song for boy - instrumental (demo) | (5:03) | 9/10 | A complete version of the song with middle-8 and coda. [Release Candidate] |
| | Alive And Kicking [Take #1] alive and kicking - take 1 | (1:37) | 5/10 | Working on the chorus only. Lots of studio discussion with the whole band there. Statements that it's too fast. Ends with the band jamming another idea. |
| | Alive And Kicking [Take #2] alive and kicking - take 2 | (5:45) | 5/10 | Continuation of the above but with the whole song. Lyrics are still developing. Complete song. Ends with bass improv and "Alright?" "Aye!" |
| | Alive And Kicking [Take #3] alive and kicking - take 3 | (5:34) | 5/10 | Next take from this session. Comes to a faltering end at 2:35 after the first chrous. Jimmy Iovine can then be heard suggesting ideas for the second verse. The bridge structure is then discussed. The rest of the recording is studio talk. |
| | Alive And Kicking [Take #4] alive and kicking - take 4 | (1:01) | 5/10 | First verse only. Then stops for more studio talk. |
| | Alive And Kicking [Take #5] alive and kicking - take 5 | (1:08) | 5/10 | First verse only. Then stops for more studio talk. |
| | Alive And Kicking [Take #6] alive and kicking - take 6 | (2:27) | 5/10 | First verse only and new segue into the chorus as previously discussed. Discussion starts about the "last G" and keyboards. |
| | Alive And Kicking [Take #7] alive and kicking - take 7 | (3:49) | 5/10 | Starts with the chorus and flows straight into the "What you gonna do?" section. Then ends with further discussion about the bridge. |
| | Alive And Kicking [Take #8] alive and kicking - take 8 | (1:30) | 5/10 | Starts with the chorus and flows straight into the "What you gonna do?" Stops there with more studio discussion. |
| | Alive And Kicking [Take #9] alive and kicking - take 9 | (2:26) | 5/10 | Starts with the chorus and eventually gets to the "What you gonna do?" Still not right. Stops there with more studio discussion. |
| | Alive And Kicking [Take #10] alive and kicking - take 10 | (2:50) | 5/10 | False start. Then starts with the chorus and goes to the "What you gonna do?" Still too fast. Stops there with more studio discussion. Jimmy Iovine talks about the regular chorus. |
| | Alive And Kicking [Take #11] alive and kicking - take 11 | (3:59) | 5/10 | Starts with the "What you gonna do?" bridge, then the piano solo, then the "ohhs" and the final chorus. Arrangement is very close to the final version. More studio talk. |
| | Alive And Kicking [Take #12] alive and kicking - take 12 | (0:45) | 5/10 | Chorus only. Comes to an early end. Studio talk. |
| | Alive And Kicking [Take #13] alive and kicking - take 13 | (1:22) | 5/10 | Chorus and start of piano solo which falters. Bass line continues. Ends with studio talk. |
| | Alive And Kicking [Take #14] alive and kicking - take 14 | (2:51) | 5/10 | Chorus, complete piano solo and final chorus. Ends with studio talk. |
11/1. | Street Fighting Years Demos |
??? | Unknown Date / Unknown Location |
| | Belfast Child [Bodrum Version Instrumental] | (4:49) | 8/10 | Instrumental version with lengthy keyboard opening by Mick which switches to acoustic guitar by Charlie. Bodrum drums start about a third of the way through. Fades quickly at the song's end. |
| | Belfast Child [Demo #1 Instrumental] | (4:54) | 7/10 | This a poorer recording of the Bodrum Version Instrumental without the fade. |
| | Belfast Child [Demo #2] | (7:58) | 7/10 | The song is now reaching its final form. Lenghty organ opening leads to an entirely acoustic driven first and second verses (with guitar, accordian and pennywhistle). The song builds to the third verse and the whole band comes in, now very similar to the final recorded version. Jim hasn't written the lyrics for the
second section "Come back Billy" and repeats the first verses. At the song's climax, it reverts to the acoustic version, with guide vocals, and fades. |
| | Belfast Child [Demo #3] | (5:04) | 8/10 | Entirely acoustic version with accordian, acoustic guitar, bodrum and pennywhistle. Appears to be the version that Demo #2 was based on. Includes a count-in. |
| | Belfast Child [Demo Accordian Instrumental] | (2:32) | 7/10 | This is just Mick working on the lenghty intro. Violin and keyboards. Versions of this open the other demos. |
| | Belfast Child [Alt] | (8:04) | 7/10 | Same as Demo #2 but with a slightly different into (which also fades in). |
| | Belfast Child [Alternative Version #1] | (6:34) | 8/10 | Alternative mix of the final recorded version. Missing violins and extra drumming and percussion on the second part of the song. Much softer. With extra echo on the vocals. Lyrics are the same as the final recorded version. |
| | Belfast Child [Alternative Version #2] | (5:02) | 8/10 | Better recording of Demo #3. No fade at the end. |
| | Belfast Child [Alternative Version #3] | (5:05) | 8/10 | Another take of the Demo #3 version of the song. |
| | Belfast Child [Early Demo Instrumental] | (3:03) | 7/10 | Incompete recording of Demo #1. |
| | Belfast Child [Instrumental] | (4:55) | 7/10 | Another recording of Demo #1. |
| | Biko [Demo] | (8:02) | 6/10 | Very echoey recording. Has an extended opening and only gets going when Mel comes in. |
| | Come Back Tomorrow [Take #1] | (5:13) | 8/10 | Improvision with Jim, Charlie, Mick and Lisa. Slightly echoey recording. Fades at the end. |
| | Come Back Tomorrow [Take #2] | (5:41) | 8/10 | More improvisation. Fades at the end. |
| | Come Back Tomorrow [Take #3 Instrumental] | (5:59) | 8/10 | Slightly echoey recording. Fades at end. |
| | Come Back Tomorrow [Take #4 Instrumental] | (2:12) | 6/10 | Poor recording of Charlie, Mick and Lisa working on the song. Some studio banter as they work on the song. |
| | I Can't Live [Demo] | (4:17) | 7/10 | Unreleased track. Still being worked on by Charlie, Mick, Mel and John as Jim continually calls out cues during the lyrics. Fades in and out. |
| | Kick It In [Demo #1] | (5:56) | 8/10 | Jam of the track. The song structure is there, but Jim has to shout some cues. Most of the lyrics are there - the rest are repeated guides. |
| | Kick It In [Demo #2] | (5:33) | 8/10 | Jam of the track. As above but the very beginning is missing. |
| | Let It All Come Down [Demo #1 Instrumental] | (2:56) | 7/10 | Keyboards and drum machine only. Slight cut-out during the recording. Fades out at the end. |
| | Let It All Come Down [Demo #2] | (3:34) | 8/10 | Final recording of instrumentation. Final vocals mixed with guide vocals. No coda. |
| | Let It All Come Down [Demo #3] | (4:36) | 8/10 | As above but with coda added. |
| | Let It All Come Down [Demo #4] | (4:36) | 8/10 | The same as the above. |
| | Let It All Come Down [Demo #5] | (4:31) | 8/10 | The same as the above. |
| | Let It All Come Down [Demo #6] | (4:33) | 8/10 | The same as the above. |
| | Mandela Day [Demo] | (5:00) | 8/10 | Early version with some guide lyrics. Fades out on Charlie's guitar. |
| | People Stand Up Again [Demo #1] | (5:56) | 8/10 | Complete song. |
| | People Stand Up Again [Demo #2] | (6:00) | 7/10 | Slightly worse recording. |
| | People Stand Up Again [Instrumental] | (5:45) | 7/10 | Rough recording. Different mix than the above. Slightly different instrumentation. |
| | The Power And The Darkness [Instrumental #1] | (5:21) | 7/10 | Slightly rough recording. Some tape chew. Culled from the longer version. |
| | The Power And The Darkness [Instrumental #2] | (5:17) | 8/10 | Better recording of a different take. |
| | The Power And The Darkness [Instrumental #3] | (5:17) | 7/10 | Rougher recording. |
| | The Power And The Darkness [Instrumental #4] | (5:17) | 7/10 | Second recording of the same track. Still slightly rough. |
| | Saturday Girl [Demo #1] | (6:59) | 8/10 | Very similar to the final version. With lyrics. |
| | Drum Loop | (1:50) | 7/10 | Repeated drum loop. Simple keys are played halfway through. Fades out |
| | Drums #1 | (1:21) | 8/10 | Repeated drum loop. |
| | Drums #2 | (5:57) | 9/10 | Repeated drum loop. Better and longer recording of Drum #1. |
| | Drums #3 | (4:12) | 9/10 | Repeated drum loop. |
| | Drums #4 | (3:50) | 9/10 | Repeated drum loop. |
| | Gaelic Melody #1 | (0:27) | 5/10 | A short recording of Charlie and Lisa. Note that this isn't the song featured on Verona. |
| | Gaelic Melody #2 | (0:52) | 6/10 | A longer recording of the above. Fades out at the end. |
| | Guitar Bit | (0:31) | 7/10 | Sounds like Charlie tuning up. |
| | Idea 1 (Take #1) | (1:41) | 4/10 | Mick trying out an idea on piano. |
| | Idea 1 (Take #2) | (2:21) | 3/10 | Continuation of the above. Slightly worse recording. |
| | Idea 1 (Take #3) | (3:41) | 4/10 | Further continuation of the above. Recording breaks to a version with Charlie. |
| | Idea 2 (Take #1) | (1:54) | 5/10 | Slow, moody instrumental with guitar, keys and percussion. |
| | Idea 3 (Take #1) | (2:31) | 5/10 | Mad keyboards and electronic effects. |
| | Idea 3 (Take #2) | (5:35) | 6/10 | Continuation of the above. |
| | Idea 3 (Take #3) | (2:08) | 6/10 | Continuation of the above. |
| | Jam #1 | (2:53) | 8/10 | Whole band jam with a drum machine. Ends on a great guitar riff from Charlie and some chatter. |
| | Jam #2 | (3:25) | 8/10 | Lots of talk and various guitar riffs. Seems to be a continuation of the above. Charlie introduces various people. Turns into Ride A White Swan by T Rex. And is that Derek in there? |
| | Jam #3 | (3:37) | 7/10 | Band jamming a different idea. |
| | Jam #4 | (1:09) | 4/10 | Band jamming a different idea again. Very poor recording. |
| | Jam #5 | (9:10) | 6/10 | Band jamming the same as the above. More developed. |
| | Jam #6 | (2:59) | 5/10 | Band jamming a different idea. |
| | Jam #7 | (3:54) | 6/10 | Better recording and more developed version of the above. Great tune. Fades at the end. |
| | Jam #8 | (3:18) | 6/10 | Another recording of the above idea. Stripped down with just Charlie and Mick. |
| | Jam #9 | (3:14) | 7/10 | Band jamming a different idea. Not very developed. |
| | Jam #10 | (5:01) | 6/10 | Band jamming a different idea. |
| | Mozart Jam | (4:47) | 6/10 | Weird experiment with keyboads and echo, bass and echo, and then cuts to a different recording. Ends with Mick playing Mozart. Tape badly chewed. |
| | Piano Idea #1 | (0:55) | 2/10 | Just Mick playing around with an idea. |
| | Piano Idea #2 | (1:55) | 3/10 | A development of the above with a drum machine added. Poor recording. |
| | Untitled 1 Take 1 [Instrumental] | (11:37) | 8/10 | Jam of a great unreleased track. |
| | Untitled 1 Take 2 [Instrumental] | (3:05) | 7/10 | Shorter and poorer recording of the above. |
| | Untitled 2 [Instrumental] | (5:36) | 5/10 | This is the same recording as Untitled from the Loch Earn demos. |
| | Shine From The Soul [Take #1] | (5:55) | 8/10 | Longer and better quality version of Come Back Tomorrow [Take #2]. |
| | Shine From The Soul [Take #2] | (6:15) | 8/10 | Longer recording of the above. |
| | Shine From The Soul [Instrumental] | (6:15) | 8/10 | Instrumental version of Take #2. |
| | Sometimes When It Rains [Instrumental #1] | (4:46) | 7/10 | A rather quiet muffled recording. Lacks the coda. |
| | Sometimes When It Rains [Instrumental #2] | (5:03) | 8/10 | A rather quiet muffled recording. Includes the coda. |
| | Soul Crying Out [Instrumental #1] | (5:42) | 7/10 | A rather quiet muffled recording. Early version. Most of the song's structure is there. Fades at the end. |
| | Soul Crying Out [Instrumental #2] | (5:44) | 7/10 | A rather quiet muffled recording. Second attempt with different improvisation. |
| | Soul Crying Out [Demo #3] | (4:57) | 7/10 | A slightly better recording. Instrumentation reaching album version. Jim sings improvised guide vocals. Fades during the coda. |
| | Soul Crying Out [Demo #4] | (4:57) | 8/10 | Better recording of Demo #3. |
| | Soul Crying Out [Demo #5] | (6:06) | 8/10 | Even better recording of Demo #3. Entire song without fade. |
| | Soul Crying Out [Demo #6] | (6:05) | 8/10 | Same as Demo #5. |
| | Street Fighting Years [Instrumental #1] | (3:53) | 4/10 | Rough recording of Mick with a drum machine, feeling his way to the "Here Comes The Hurricane" part of the song. |
| | Street Fighting Years [Instrumental #2] | (6:07) | 7/10 | Early instrumental of the entire song. |
| | Street Fighting Years [Demo #3] | (6:04) | 7/10 | Final instrumental version with rough, patchy lyrics. The lyrics for the coda are complete. |
| | Street Fighting Years [Demo #4] | (6:02) | 8/10 | Better recording of Demo #3. |
| | Take A Step Back [Demo #1] | (4:40) | 4/10 | Rough, wowwy, slightly chewed recording. The vocals for the first pasts of the song are complete but roughly recorded. |
| | Take A Step Back [Demo #2] | (4:43) | 8/10 | Much better copy of Demo #1. |
| | Take A Step Back [Demo #3] | (4:21) | 8/10 | Another recording of a further development of the song. |
| | This Is Your Land [Instrumental #1] | (5:01) | 8/10 | Slightly rough recording of Mick and Charlie improvising on an extremely early version of the song. Merges into Brass Band In Africa at the end. |
| | This Is Your Land [Instrumental #2] | (5:17) | 7/10 | Entire band work on an advanced version which is reaching the final album version. |
| | This Is Your Land [Instrumental #3] | (6:15) | 9/10 | Instrumental of the final album version. Missing some guitar overdubs. |
| | This Is Your Land [Demo #4] | (6:12) | 9/10 | Album version with additional female vocals. Ruined by Stylophone overdubs. |
| | This Is Your Land [Demo #5] | (5:23) | 7/10 | Drums and vocals slightly muffled. Poor recording. Almot final album version with slightly different lyrics and with no Lou Reed. Fades out at the end. |
| | This Is Your Land [Alternative Version] | (7:10) | 7/10 | Entire alternative version. |
| | Wall Of Love [Instrumental #1] | (4:43) | 7/10 | Very early instrumental idea of the song. |
| | Wall Of Love [Instrumental #2] | (1:10) | 7/10 | Fragment from the same recording as the above. |
| | When Spirits Rise [Instrumental #1] | (1:59) | 7/10 | Demo with different instrumentation and slightly different arrangement. |
| | Your Life | (2:25) | 7/10 | Unreleased demo with Jim, Charlie, Mel and a bass player. |
|
Belfast Child:
[Demo Accordian Instrumental], [Bodrum Version Instrumental], [Demo #1 Instrumental], [Early Demo Instrumental], [Instrumental]
[Demo #3], [Alternative Version #2], [Alternative Version #3]
[Demo #2], [Alt]
[Alternative Version #1]
Come Back Tomorrow:
[Take #4 Instrumental]
[Take #3 Instrumental]
[Take #1]
[Take #2]
|